help save Japan’s visual heritage of daily life
support
Engraving of Japanese porters carrying travelers across a wide river, 1860s

Shizuoka 1860s
Piggybacking the Tōkaidō's Mightiest Rivers

Artist Émile Bayard
Publisher L. Hachette
Medium Wood Engraving
Period Bakumatsu
Location Shizuoka
Image No. 220416-0293
Purchase Digital File
Author

Japanese porters carrying travelers across a wide river. For centuries this was the only way to cross several rivers on the storied Tōkaidō highway.

Sign up for the newsletter

Never miss a post. Receive articles in your inbox.

SIGN UP

One of the best eyewitness accounts we have of travel in Japan during the Edo Period (1603–1868) was written by German naturalist and physician Engelbert Kaempfer (1651–1716), who lived in Japan from 1690 through 1692. In his account of his journey to Edo he explained how some rivers could only be forded:1

We have to cross a number of rivers—especially traveling the Tōkaidō—that, on account of the nearby snow-covered, high mountains, run to the sea with such force, particularly after a heavy rainfall, that they overflow their bed of stony shoals and can be crossed neither by bridges nor by boats. So travelers have to wade through these rivers, and horses and riders are entrusted to certain local people to guide them across the water. Specifically engaged for the crossing, these people are familiar with the topography and know how to support the horse carefully with their arms against the force of the river and the rolling stones. Norimono [Japanese palanquins] are lifted up with the hands and are carried across only by these people.

Woodblock print by Utagawa Hiroshige of crossing the Ōi river between 1849 and 1852
Crossing the Ōigawa River between 1849 and 1852. Utagawa Hiroshige, woodblock print, ink and color on paper.

One such river was the Ōigawa River in what is today Shizuoka Prefecture. It was arguably the most feared river in Japan. Kaempfer, who crossed this river four times, introduced it as follows:2

Its waters gush with the speed and power of an arrow, and it cannot be crossed on horseback without knowledgable, specially appointed guides (of which five have to guide one horse when the water is low, that is, knee-deep). If they loose their passenger, they lose their lives.

The fear that the Ōigawa stirred in travelers’ hearts was captured in Hizakurige (1802–1822), a popular comic novel written as a traveler’s guide for the Tōkaidō, known in English as Shank’s Mare. When the story’s two protagonists cross the Ōigawa “the rolling waters of the river” make them fear for their lives:3

Soon their eyes were dizzy by the sight of the rolling waters of the river. So frightened were they that they thought at every moment they would lose their lives. There is, indeed, no more dreadful place on the Tokaidō than the River Ōi, the swift current of which sends great rocks rolling down and threatening to smash you every moment.

The Ōigawa River on a map of the Tōkaidō, ca. 1700
The Ōigawa looms large in this detail of a map of the Tōkaidō, ca. 1700. Ochikochi Dōin, Hishikawa Moronobu, Tōkaidō Bunken Ezu (東海道分間絵図), woodblock print, ink on paper, 2002531180, Library of Congress. Modified.

Not only the Ōigawa evoked fear. The travel guide Ryokō Yōjinshū (旅行用心集, Precautions for Travelers), published in 1810 (Bunka 7) by author Yasumi Roan (八隅 蘆菴), warned that river crossings could upset unprepared women and children:4

You should take certain precautions at river-crossings when you are traveling with women and children. Unlike men, women are timid creatures and sometimes are frightened when they look at the fast current of a wide river. Also at times they are afraid of the disorderly conduct of the river porters and may get light-headed or dizzy. For this reason you should carefully explain to them the day before that the crossing site will be bustling with activity and that even if they become temporarily separated from their travel companions, there is no reason to become frightened. Post-station officials are on duty at such places and thus there is no cause for any concern of the part of the traveler.

Roan’s account of “disorderly conduct” by porters differs significantly from the observations of Swiss diplomat Aimé Humbert (1819–1900), who visited Japan in 1863–1864 (Bunkyū 3–Genji 1). His brief account of such crossings specifically described the porters as organized and orderly, albeit quite colorful:5

Rivers over which native builders have been unable, despite all their skill, to establish bridges, must be crossed on flat boats or on the shoulders of sturdy porters, specially assigned to ford the river. It’s a profession they hand from father to son. They even form a guild, which indemnifies travelers in the event of personal accident or damage to luggage. A handkerchief tied over the forehead and a loincloth around the hips make up their entire costume. For the rest of the body, tattoos take the place of clothing, as is the general practice among the coolies of major Japanese cities.

Albumen print by Japanese photographer Kimbei Kusakabe of a Japanese man with full-body tattoos wearing only a fundoshi (褌) loin cloth, 1890s
A Japanese man with full-body tattoos wearing only a fundoshi (褌) loin cloth as travelers would have encountered at river crossings. Kimbei Kusakabe, hand colored albumen print, 1890s, Pump Park Collection.

Humbert continued with more details:6

Passenger fares, which are always extremely moderate, vary according to whether you hire eight men to carry you in a norimon, or four men with a litter, or two men and a stretcher, or just a porter. In the latter case, which is the most frequent, the traveler straddles the porter’s neck, and the porter, grabbing the traveler by both legs and advising him to keep his balance, advances into the water with slow, firm and measured steps. The process is the same for natives of both sexes. They take to it with equal docility, and walk in unison, smoking their pipes and sharing their observations on the height of the water and the length of the journey.

In 1871 (Meiji 4), only seven years after Humbert’s observations, the Ōigawa porters were replaced by ferries. In 1879 (Meiji 12) the first bridge was built.7

Services

The Ōigawa featured in many ukiyoe of the Tōkaidō. An Utagawa Hiroshige print of the river beautifully documents the different crossing services that the specialized river porters (川越人足, kawagoshi ninsoku) offered.

Ukiyoe woodblock print by Utagawa Hiroshige of porters carrying travelers across the Ōigawa River
Ukiyoe woodblock print of porters carrying travelers across the Ōigawa River. Utagawa Hiroshige, ink and color on paper, 1833-1834.
Detail of a woodblock print showing the different ways of crossing the Ōikawa River.
1. Crowd of porters carrying a lord's palanquin; 2. Porter leading a horse; 3. Carrying luggage; 4. Porter crawling so a traveler can mount his shoulders for the crossing; 5. Four porters carrying a traveler on a platform known as a rendai; 6. Ladder-like hira rendai.

There were basically two different ways of crossing the Ōigawa, on a porter’s shoulders (seen in number 4 in the detail image) or on a platform known as a rendai (輦台, seen in numbers 1, 5 and 6). The rendai were subdivided into three classes:

The daikoran-rendai (大高欄輦台, number 1) was used mainly for daimyo (feudal lords). It was the largest, and most expensive and came with high handrails around the edges and generally required 16 to 24 porters. If the palanquin placed on it was large it could have as many as 30, including a guide leading the way.

Next came the hankōran rendai (半高欄連台), seen in the engraving at the top of the page. This was for important people, came with low handrails, and required four porters for a single passenger.

Hira rendai (平輦台, 5 and 6) were for commoners. They looked like ladders, had no handrails, and required four porters for one passenger, or six for two.

Like their services, the porters themselves were also divided into ranks depending on their experience. Porters started around the age of 12 and underwent many years of rigorous training in the difficult wading skills before they were allowed to carry travelers.

River crossing was big business for Shimada and Kanaya, the two stations on each side of the Ōigawa. By the end of the Edo Period (1603–1868) the two towns counted over 1300 porters.8

This site is funded by readers like you

Old Photos of Japan provides thoroughly researched essays and rare images of daily life in old Japan free of charge and advertising. Most images have been acquired, scanned, and conserved to protect them for future generations.

I rely on readers like you to keep going. Please donate now to support this work.

DONATE NOW

Glossary

Term Japanese English
Kachiwatashi 歩渡し Wading
Katagurama Watari 肩車渡 Riding the shoulders of a porter
Kawagoshi 川越 River crossing
Kawagoshi Ninsoku 川越人足 Special porters for crossing rivers
Rendai 輦台 Platform used for crossing a river
Rendai-watashi 輦台渡し Crossing on a platform

Recommended Primary Sources

  • Shukuson Taigaichō (宿村大概帳)
    A collection of 53 volumes of records of Japan’s five main highways and their byways surveyed by the Shogunate during the 1840s~50s. It contains detailed descriptions of the status of each station and village along each road, including population, number of houses, main lodges, number of inns, size of roads, bridges, temples and shrines, local industries, special products, and more.
  • Tōkaidō Bunken Ezu (東海道分間絵図)
    An important dōchūzu (道中図, road map) depicting the Tōkaidō and everyday scenes along the route. It shows details like distance markers, guideposts, checkpoints, inns, rivers, bridges, and more. The map reproduces the 486 kilometers of the road in about 36 meters. The map was first drawn in 1690 (Genroku 3) and probably intended for virtual travel.

Notes

1 Kaempfer, Engelbert; Bodart-Bailey, Beatrice M. (1999) Kaempfer’s Japan: Tokugawa Culture Observed. Honolulu: University of Hawaii Press, 249–250.

2 ibid, 56.

3 Jippensha, Ikku; Satchell, Thomas (1960). Shanks’ Mare. Being a translation of the Tokaido volumes of Hizakurige, Japan’s great comic novel of travel & ribaldry by Ikku Jippensha (1765–1831). Vermont, Tokyo: Charles E. Tuttle Company, Inc., 100–101.

4 Vaporis, Constantine N. Caveat Viator. Advice to Travelers in the Edo Period. Monumenta Nipponica, vol. 44, no. 4, 1989, pp. 461–83. Retrieved on 2024-01-08.

5 Humbert, Aimé (1867). Le Tour du Monde: Nouveau Journal des Voyages. 1867, Premier Semestre. Paris: Librairie de L. Hachette et Cie., 292.

6 ibid.

7 Yanagida, Kunio, Terry, Charles S. (1969) Japanese Culture in the Meiji Era Vol.4: Manners And Customs. Tokyo: The Tokyo Bunko, 136.

Some sources claim that the service was discontinued in 1870 (Meiji 3).

8 Data provided by Shimada City.

Published
Updated

Leave a Comment

Reader Supported

Old Photos of Japan aims to be your personal museum for Japan's visual heritage and to bring the experiences of everyday life in old Japan to you.

To enhance our understanding of Japanese culture and society I track down, acquire, archive, and research images of everyday life, and give them context.

I share what I have found for free on this site, without ads or selling your data.

Your support helps me to continue doing so, and ensures that this exceptional visual heritage will not be lost and forgotten.

Thank you,
Kjeld Duits

support

Reference for Citations

Duits, Kjeld (). Shizuoka 1860s: Piggybacking the Tōkaidō's Mightiest Rivers, OLD PHOTOS of JAPAN. Retrieved on December 6, 2024 (GMT) from https://www.oldphotosjapan.com/photos/934/piggybacking-the-tokaido-s-mightiest-rivers

Explore More

…

Tokyo 1910s
Hattori Building, Ginza

Two streetcars pass by the Hattori Building in Tokyo’s fashionable Ginza. Carts are parked under the verdant trees.

…

1890s
Farmer with Loaded Horse

Looking at the huge amount of cargo this horse is carrying, you’d expect the poor animal to keel over any moment. But, these small Japanese horses were as strong as European horses.

…

Tokyo 1871
Birth of a Nation

This rare photo from 1871 shows Tokyo’s Nihonbashi Bridge made famous in countless woodblock prints. A year after Austrian photographer Michael Moser shot this scene, the bridge was torn down and rebuilt.

Comment

There are currently no comments on this article.