shows photos of Japan between the 1860s and 1930s. In 1854, Japan opened its doors to the outside world for the first time in more than 200 years. It set in motion a truly astounding transformation. As fate would have it, photography had just been invented. As the old country vanished and a new one was born, daring photographers took photos. Discover what life was like with their rare and precious photographs of old Japan.

RSS News Feed
Follow us on Facebook
Follow us on Twitter

« Women Washing • Two Women Sleeping »

Boats are docked in front of a long row of warehouses in Koamicho (小網町) in Tokyo’s mercantile quarter of Nihonbashi. Ogawa was looking towards Yoroibashi, a steel bridge built in 1873 (Meiji 6), which can be seen in the far right of the image.

Before the city of Edo was built, this area used to be coastline. But by the time this photo was taken, the sea had already been pushed far away and Nihonbashi had transformed into a busy center of commerce.

Nihonbashi was the most densely populated area of Tokyo. It was also the heart of Tokyo’s shitamachi, the low city, where merchants and artisans lived and worked. It was a down to earth and conservative place where Meiji modernization took longer to take root than in nearby Ginza.

Nihonbashi was a place where people worked hard and merchants became rich. During the Edo Period, strict social constraints had kept the rich merchants here, living close to Tokyo’s many poor, who were stowed away in the area’s dark and dreary back-streets. But as soon as the Meiji reformation lifted these constraints, the rich moved their homes to more agreeable sections of Tokyo.

Eventually, business would prefer greener pastures, too. By the end of the Meiji Period, Nihonbashi was slowly loosing its position as commercial center of Tokyo to the newly built Marunouchi district in front of Tokyo Station.

But at the time of this photo, things had not gotten that far, yet. Nihonbashi’s waterways were crowded with boats full of heavy loads ferried in from all over Japan. Nihonbashi river, its banks jammed with white-walled warehouses, was still the busiest waterway in the city.

Japan did not use horse-drawn carriages during the Edo Period and did not really take to them during the Meiji Period either. Cargo was transported on large carts pulled by people or oxen; on the backs of people, horses and oxen; but especially by all kinds of boats, each made for a specific purpose. Tokyo’s waterways had chokibune (猪牙船, long flat bottom boat), takasebune (高瀬舟, shallow-draft boat), tenmasen (伝馬船, large sculling boat) and many others.¹

To spoil enemy attacks, the old city of Edo had been deliberately built within a spiral network of moats, rivers, and canals. This made transport by water especially attractive. Early in the city’s development, unloading points called kashi had been created. Warehouses and markets grew up around them. Nihonbashi was the most important one. From here, goods were distributed all over the city.

The area’s warehouses gave Nihonbashi a unique look that didn’t only attract the photographer who shot this photo, but also several famous ukiyo-e artists. Utagawa Hiroshige marvelously captured the essence of Koamicho in 1857 in his print “Yoroi no Watashi” (the ferry at Yoroi) included in his series of 100 famous views of Edo (see left).

Unfortunately, most of Nihonbashi, including the warehouses on this photo, was destroyed in the Great Kanto Earthquake of 1923 (Taisho 12).

1880 (Meiji 13) Map of Nihonbashi: 1. Ikkokubashi; 2. Nihonbashi-gawa; 3. Nihonbashi-dori; 4. Nihonbashi; 5. Ginza-dori; 6. Nishi-horidomegawa; 7. Edobashi; 8. Higashi-horidomegawa; 9. Yoroibashi

Notes

1. For those interested in Japan’s wooden boat culture, the Michinoku Traditional Wooden Boat Museum in Aomori and Douglas Brook’s site are highly recommended.

2. This image is taken from exactly the same location as Tokyo 1890s • Koamicho, Nihonbashi, so I decided to use the same story for this photograph. Interestingly, in the other image, the Yoroibashi Bridge is deliberately kept outside the photographer’s frame.

Photographer: Kazumasa Ogawa
Publisher: Kazumasa Ogawa
Medium: Collotype Print
Image Number 71204-0002

Quote this number when you contact us about licensing this image.
You can also licence this image online: 71204-0002 @ MeijiShowa.com.

IMPORTANT
Usage of this image requires a reproduction fee.

Posted by Kjeld Duits • 2010-06-21

« Women Washing • Two Women Sleeping »

Add Comment